The much-anticipated debut album from Oxlade, "Oxlade From Africa", is finally here, and it delivers beyond expectations. Right from the onset, the album sets a profound tone with "D PTSD Interlude", a powerful segment that talks about the trauma faced by Oxlade and his manager, Ojahbee, during the 2020 End SARS protests against police brutality in Nigeria. The interlude features a charge from Ugandan activist Bobi Wine, urging African youth to stand up against all forms of brutality. This powerful introduction reflects the collective issues faced by the African youth, setting a meaningful foundation for the album.
The mood changes on the next track, "Olaitan-Olaoluwa"—a track derived from Oxlade's real name, Ikuforiji Olaitan Abdulrahman— which translates to "wealth is endless, the wealth of God." Here, Oxlade speaks on the blessings in his life, reminding us of his journey and identity. We are instantly reminded of his signature vocals, which we've come to love from hits like Ku Lo Sa.
The album is packed with meaningful collaborations, showcasing a variety of features that add depth and diversity to the project. "Blessed" featuring Popcaan is an instant hit, blending Oxlade's smooth melodies with Popcaan's distinctive style to create a track that's not only reflective, but also easy to vibe to.
Fans will recognize familiar tracks like "Intoxicated" featuring Dave and "Ku Lo Sa," which were released prior to the album drop. These hits fit seamlessly into the album,and are worthy additions to his debut album.
True to its title, "Oxlade From Africa" is a celebration of the continent's rich musical talent. Oxlade collaborates with well-versed artists from all corners of Africa, making this truly an album born out of the motherland. On "IFA," he teams up with legendary Congolese singer Fally Ipupa to produce another club banger that's sure to get you grooving.
Known for his loverboy persona, Oxlade doesn't shy away from romance on this album. "OVAMI" featuring Flavour is a sweet melody where Oxlade professes his emotions to his woman. Flavour's verse is the perfect feature, making this song a match made in heaven. It's the kind of track that'll make your lover's heart swell if you serenade them with it.
The "Tamuno Interlude" adds another layer of cultural depth, featuring traditional chants from Africa.
One of the standout moments is "Asunasa," where Oxlade joins forces with Wande Coal. They sample Wande Coal's classic "Allow Me To Feel Your Hands," and the result is nothing short of spectacular. It's a meeting of two masters of melody, and their synergy is such a vibe. If you've ever wondered what it sounds like when such talents collaborate, this track is your answer.
Oxlade continues to bring heavyweight features with "Ololufe" alongside Ghanaian superstar Sarkodie. The song seamlessly blends their unique styles, creating a cross-border hit sure to get the clubs in Accra and Lagos vibing. On "RMF," Oxlade delivers a bold and unapologetic anthem about success and the trappings that come with it.
"On My Mind" featuring Tomi Owó and Ojahbee is a soft melody that provides a soothing contrast to some of the more high-energy tracks.
The album closes with the track "OFA" (Oxlade From Africa). In this song, Oxlade reflects on his journey. It's a heartfelt conclusion that brings the album full circle, leaving listeners with a profound sense of who Oxlade is—one of one, one pea in a pod, Oxlade From AFrica.
"Oxlade From Africa" is more than just a collection of songs; it’s a narrative of Oxlade’s life, his experiences as both a lover and a fighter. From the powerful opening address police brutality and his personal traumas during the End SARS protests, to overcoming media and industry obstacles, Oxlade has consistently fought against the odds to share his music with the world. His journey reflects the struggles and triumphs of many African youth, which resonates with many of his listeners who may have faced similar challenges in their own sphere of life. This artist from AFrica is just getting started, and his debut album is a bold statement of what’s yet to come!
