DJ Enimoney Big Man’s Party: Spinning Lagos Vibes into a Global Movement

Authored by
Photographer: @thepikture

When you think of Afrobeats, you think of energy, authenticity, and connection—all of which DJ Enimoney has made his trademark. The YBNL Nation DJ, best known for his electrifying live sets and music production, has turned his passion for Lagos nightlife into something truly special with Big Man’s Party.  What began as a local celebration in Lagos has grown into a global movement, drawing DJs, artists, and fans together across continents, all united by the spirit of Afrobeats. In this exclusive interview with Deeds Magazine, DJ Enimoney shares how an idea sparked in the heart of Lagos has become a global platform for connection, inspiration, and the future of taking Afrobeats global.

Deeds Magazine: What inspired you to start Big Man's Party, and how did it all come together initially?

DJ Enimoney: BigMan’s Party was inspired straight from the pulse of Lagos nightlife—where the energy is unmatched, and every night tells a different story. When you're in a Lagos club, you feel the blend of old-school classics mixed with the hottest new tracks, creating this incredible vibe that’s both nostalgic and fresh. That fusion, that vibe of mixing eras, is what BigMan’s Party is all about. In Lagos, it’s more than just the music; it’s about the people, their style, and that effortless mix of urban street with upscale chic. From the way people show up, dressed in everything from streetwear to sharp, polished fits, to how they move to the beat—it’s that Lagos essence. We say "normal Lagos thing" because it’s a way of life here, a culture that’s all about high energy, connection, and a love for great music. And that’s exactly what I wanted to capture with BigMan’s Party.

Photographer: @thepikture

Deeds Magazine: How did you come up with the name Big Man Party? Why choose "Big Man" instead of any other name?

DJ Enimoney: Big Man, yeah, that name Big Man is like a gift from God. You know, I just woke up one day and that name just came to my head—Big Man, you get me. I said to myself, you know, this has got to be my brand.

Deeds Magazine: You've taken Big Man Party to the UK and have plans to expand further. How do you adapt the event for international audiences while keeping its authentic Afrobeats spirit?

DJ Enimoney: Taking BigMan’s Party to the UK has been an amazing journey, and adapting the event for a UK audience while keeping the authentic Afrobeats spirit is all about blending the vibrant energy of Lagos with the unique cultural vibe of the UK. Afrobeats has become a global force, and the UK has a strong connection to African music, so the challenge is in bringing that Lagos energy to life while resonating with the local crowd. In the UK, we keep the core of BMP—Afrobeats and the high-energy vibes—while incorporating elements that speak to the UK’s diverse music scene. We collaborate with local DJs, artists, and influencers who know how to blend the best of both worlds, seamlessly mixing Afrobeats with genres that UK audiences love, like grime, dancehall, amapiano, and hip-hop. The music is always the heart of BMP, but we make sure to infuse the UK’s unique flavor, whether it's through special guest appearances or collaborations with UK-based DJs.

Photographer: @thepikture

Deeds Magazine: Afrobeat is gaining popularity worldwide. How can we ensure that the culture itself is respected and preserved as it reaches new audiences through your work and by taking these events to different cities?

DJ Enimoney: The Afrobeat culture, yeah, like you said, yeah, Afrobeat is everywhere, trust me on that. The only thing we just need to do is to just keep our thing, own it, like properly, don't let nobody take it from us, yeah. Same, we don't make any mistakes. There are gonna be mistakes, you know, but let's just make sure that the mistake we made, yeah, the mistake we're making, yeah, we're not letting people see our mistakes— you get what I'm saying. That's the only way we can get respect from people. Once they're not seeing our mistakes, you get what I'm saying, we can get loads of respect from people outside the genre.

Deeds Magazine: You mentioned that building a sense of community is important to you. Does Big Man Party also serve as a hub for DJs and music lovers to connect and celebrate the culture?

DJ Enimoney: Creating a sense of community is at the core of BigMan’s Party, and it’s one of the things that makes the event so special. It’s not just about the music—it’s about bringing people together to celebrate the culture, connect with one another, and create a vibe where everyone feels like they belong. Each episode of BigMan’s Party features 2-3 DJs that I truly respect and love their sound. I’ve always believed in highlighting talent that has something unique to offer, and through BMP, I get to showcase these amazing DJs to the world. These aren’t just the hottest names in Afrobeats, but DJs who are pushing boundaries, mixing genres, and creating new sounds that represent the future of the culture. By bringing together these DJs from different corners of the scene, we create a platform where both emerging and established talents can share their sounds with a broader audience, while also celebrating the diversity within Afrobeats. The event becomes a space where music lovers from all walks of life come together to enjoy the beats, connect with the artists behind the music, and vibe with each other in a space that feels like home—whether you’re a long-time Afrobeats fan or just discovering the culture. BMP is all about the community—the DJs, the team, the fans, the dancers, the fashion, and the energy. It’s where everyone can celebrate the music and culture we love, share experiences, and make memories together.

Photographer: @thepikture

Deeds Magazine: With Big Man’s Party growing into a movement, how do you ensure it remains a platform for community and culture, rather than just a party?

DJ Enimoney: As BigMan’s Party grows into a movement, it’s essential for me to keep it grounded in community and culture, not just as a party but as a space for connection and growth. The heart of BMP is all about celebrating Afrobeats, but it’s also about creating opportunities for fans and artists to engage, learn, and share in the journey. The team and I invite our BMP family to exclusive events outside of the regular parties—like intimate artist listening sessions, cultural meet-ups, and even workshops. These spaces allow us to build deeper connections and share more than just music. Additionally, we’re running community-only groups on social platforms, where fans can connect, share experiences, and exchange ideas about Afrobeats and the culture. These groups are more than just a fan space—they’re a place for real conversations and support, where we can keep the energy alive and continue to grow as a community.

Deeds Magazine: How do you measure success in your career beyond fame and reach, especially when it comes to your impact on fans and the Afrobeats industry?

DJ Enimoney: Success to me, it's what I've done. I've done so many things, I can come today and say, it's me that did this, it's me that did that, you get me? Without work, without you doing anything, they can't say you're successful. You have to have an impact on the industry or society before they can say you're successful in what you're doing.

Photographer: @thepikture

Deeds Magazine: What are your plans for Big Man's Party in the near future, including next year and this December period?

DJ Enimoney: We’ve got a lot coming for BigMan’s Party, and honestly, I’m super excited about what’s on the horizon. There are some major expansions in the works, and I can’t wait to share them with you all. But here’s the thing—it’s all a surprise for now. I want to keep some things under wraps because I believe in giving my fans those unexpected, unforgettable moments. What I can promise is that as we grow, we’re bringing even more unique elements to the party—whether it’s new collaborations, special performances, or fresh ways to experience the culture, you can expect BMP to continue pushing boundaries and staying true to the vibe that makes it so special. So stay tuned, because trust me, you won’t want to miss what’s coming next!

Deeds Magazine: What can we expect next from Big Man’s Party? Which cities are you visiting next?

DJ Enimoney: The world is my oyster, and while we’re excited about the growth of BigMan’s Party, I always prioritize quality over quantity. So, whatever city we hit next, know that it’s all about making sure every experience is special and tailored to the audience. We’re not just about expanding for the sake of it—we’re focused on creating memorable moments, building authentic connections, and celebrating the culture with passion and energy. This December, we're heading back to where it all began in Lagos, bringing that homegrown energy back to the heart of the scene. And come the top of next year, we’ll be conquering the UK, city by city. But it’s not just about adding cities to the list—each one will be an important stop, and we’ll make sure that wherever we go, every crowd feels valued and part of the BMP family. So stay tuned because the best is yet to come!

DJ Enimoney’s passion for Afrobeats and the Lagos nightlife experience has not only shaped Big Man’s Party but also redefined it as a cultural movement with a global reach. As he continues to expand the party across borders, Enimoney remains committed to preserving the essence of Afrobeats while creating spaces for connection and community. Whether it’s bringing a slice of Lagos to the UK or building a new fan base in a different continent, DJ Enimoney’s vision is clear: Afrobeats is here to stay, and Big Man’s Party is just getting started.

Photographer: @thepikture

CREDITS

Producer: @iamdreameruk

Creative Direction: @thepikture

Photographer: @thepikture

Photography Assistant :@kene_madu

Design: @deeds.studio (@dianeadanna & @shalemalone)

Interview: @deeds.studio (@lanacreatesss & @xdeoye)

BTS: @delano.therapy

Lights: @iamdreameruk

Stylist: @guellorcanza x @amaechi_godwin_

Management: @kobra.culture